Boris Rozas, a native of Valladolid with deep ties to Buenos Aires, is the author of more than twenty poetry collections and one of the most prolific and distinctive voices in contemporary Spanish-language poetry. His notable books include Ragtime (2012), Invertebrados (2014), Las mujeres que paseaban perros imaginarios (2017), Annie Hall ya no vive aquí (2018), Lugares a los que volver con el buen tiempo (2022), Rave (2024), and Wes Borland aprende a tocar de oído (2026). Several of these works have received awards and critical acclaim. His writing has earned numerous literary prizes on both sides of the Atlantic, including the Juan Ramón Jiménez Prize in Coral Gables, the León Felipe Prize in Tábara, the International Fuente Vaqueros Prize, the Pilar Fernández Labrador Prize in Salamanca, the Francisco de Aldana Prize in Naples, the Hernán Esquío Prize, the Gonzalo Rojas Prize in Chile, the Luis Chamizo Prize, the Lasarte-Oria Prize, the Manuel Garrido Chamorro Prize, the Umbral Prize, the America Best Book Award (USA), and the National Coronio Prize, among others.
In After Bambi, Boris Rozas sketches a poetic cartography of contemporary exposure: borders, violence, precarity, fatherhood, and memory. The poems move through wastelands, prisons, suburbs, and highways where life is sustained in a fragile balance between loss and resistance. With a restrained, musical voice, Rozas observes and records without...
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